America is struggling through the second worst recession in its history. The first — the Great Depression — brought with it now-iconic images of breadlines, the dustbowl, the Hoover Dam, and the working poor of America. Integral to the visual history of the Great Depression are the photographs of Walker Evans, who documented the rural poor for the Farm Security Administration. Evans’ photographs, published in “Let Us Now Praise Famous Men,” have become iconic images relating to the first Great Depression.
Philadelphia photographer Zoe Strauss cites Evans as one of her heroes and inspirations. Strauss’ mid-career retrospective is ongoing now at the Philadelphia Museum of Art, and provides a look at her ten-year photograph project, entitled “95.” Though “95” is expansive, Strauss’ primary subject matter is the working class, focusing on populations that are either forgotten by the general public, or offered meaningless platitudes by politicians. As part of the retrospective, the Museum has partnered with Clear Channel to place more than fifty billboards of Strauss’ photographs throughout Philadelphia.
Read the entire article at The Atlantic Cities here.
Photos: K. Scott Kreider